UCSF Today

Tuesday, April 18, 2006

UCSF Exclusive: Never-before-published photo and 1906 Examiner story connect staff member to legenda

SF Examiner reporter W.H. Levings seen here after a harrowing trek up the interior of the ruined City Hall rotunda. He was positioned just below the statue of the Goddess of Liberty.

In April 1906, William H. Levings, grandfather to Susan Levings, associate dean, planning and communications in the UCSF School of Pharmacy, was a veteran newspaperman for the San Francisco Examiner.

Levings, who later became city editor, joined colleague Harry J. Coleman soon after the earthquake and fire in a harrowing journey up the damaged staircases and over the broken girders of San Francisco’s ruined City Hall.

Coleman photographed Levings at his perch just below the statue of the goddess of liberty atop the dome. Sections of the devastated city are visible along the borders of the image.

The photograph was found in a file of Levings’ memorabilia and is presumed to have never been published.

Also found were the panorama of the city taken from Nob Hill to Russian Hill (seen on today’s main page) and dinner programs from gatherings of “earthquake” reporters decades later. These also are believed to be one-of-a-kind copies. 

           
Photos of a gutted San Francisco City Hall have become an icon for the 1906 earthquake. Photo/California Digital Library
           
           
           
Reporters covering the 1906 earthquake were united by the searing experience and continued to gather decades later to remember. Here are three program covers from 1939, 1940 and 1941.
           
A young W.H. Levings, front row, right, is pictured here with his fellow police reporters in 1903. One of Levings' beats was the infamous Barbary Coast
A young W.H. Levings, front row, right, is pictured here with his fellow police reporters in 1903. One of Levings’ beats was the infamous Barbary Coast.

Reprinted here is the nearly complete account of Levings’ City Hall adventure.

   

 

 

RISKS       LIVES TO PHOTOGRAPH THE CITY
      Members of “The Examiner” Staff Climb to Goddess of Liberty.

   

Perched 300       feet above the earth, cooped in the deep ball that surmounts the dome       of the old City Hall, crouching at the very feet of the Goddess of Liberty,       Harry J. Coleman, an “Examiner” artist, and Will H. Levings, an “Examiner”       reporter, held their cameras that photographed the panoramic birdseye       view of San Francisco accompany the Sunday issue of “The Examiner.”

   

     

In peril       of their lives, several times, as they climbed upward to the thrilling       height from which the picture was taken, dodging the loose brick and mortar       that fell about them, treading narrow ledges from which a fall meant sure       and sudden death, picking their way over piles of debris and swinging       from twisted girders to broken walls and back again, the young men finally       reached the summit and through the narrow crevices of the ventilator in       the big ball took the picture and safely descended to earth again.

   

When the       young man applied to Chief of Police Dinan for permit to climb to the       top of the old City Hall, he flatly refused to grant one, saying that       it would be equivalent to granting them the privilege of committing suicide       and make him an accessory of willful self murder. But after much persuasion       and after they had signed a paper acquitting both the city and the Chief       of all damage in case of a fatal accident, the permit was duly granted.      

   

The most       accessible point of entrance to the dismantled wreck of $6,000,000 worth       of labor and building material, is at the southeast corner facing Grove       Street. From here the two men climbed over piles of brick and mortar into       the main rotunda of the first floor through a window.

   

They found       no way to get up to the main tower from this point, but after climbing       over several broken walls they found parts of the stairway that led them       safely to the second floor of the building. From here there was no way       to get to the third floor except by climbing like monkeys up the iron       grating that lined the front of the elevator shaft.

   

When they       reached the third floor they found that the earthquake had separated the       main building from the tower by half a hundred feet. But several twisted       and bended iron girders led across this yawning abyss and over it they       crawled. When half way Coleman stepped on a movable pebble and almost       lost his balance. But the twenty-two pounds of camera that he carried       saved him, and he managed to get back on the girder again after having       slipped partially over. When he reached the wall on the opposite side       he was so weak, nervous and trembling that it was necessary for him to       lie flat on the top of the two-foot wall and wait until he recovered.       He was pale, nervous and covered with perspiration.

   

After resting       fifteen minutes, still pale, but with less giddiness, they walked along       the broken section of wall in an effort to find a way to the tower, only       to discover that there was no connection between the building and the       tower except by the roof and no way to get to the roof except by crawling       back over the twisted girder again. This the two men did, and from the       third floor broken through the ventilator to the roof, and walked across       on top of the building dodging big holes and climbing over obstructions       until they came to the tower. Into this they broken the glass and climbed       the interlaced iron work of the glass inner dome to the apex.

   

From this       point a small spiral iron stairway leads to the platform on top of the       dome. This spiral staircase had been riven from the dome and broken in       various places, but seemed firm enough to hold them and up this they climbed       until they reached the small platform upon which the big ball stands.       From here they could go no higher. On top of the ball stands the Goddess       of Liberty. As soon as they had rested they found the ends of the camera       through the slats of the ventilator and secured pictures which are the       finest ever taken of the ruins of the city.

   

While the       trip down was dangerous, with the experience they had in going up, they       found it much easier and reached the earth safely, having made…

Photos courtesy of Susan Levings